Rachel Whiteread | Documents (2005) | Available for Sale | Artsy
Audio Guide | Rachel Whiteread - Saint Louis Art Museum
A woman looks at One Hundred Spaces, an installation of 100 jewel-like resin casts of the underside of chairs on display in the Duveen Galleries at the Tate Britain in central London,
Artblog | Rachel Whiteread's sculpture at the National Gallery of Art, elegies to daily life in melodies we all can sing
Rachel Whiteread at Tate Britain. Exposing the invisible. | by Craig Berry | Medium
Ghosts of the Past, Embalmed in White Plaster - The New York Times
Saatchi Gallery on Twitter: "Happy Birthday Rachel Whiteread! Born #OTD in 1963, she became the first woman to win the Turner Prize in 1993. Exhibited at Saatchi Gallery, check out 'Untitled (One
Rachel Whiteread exhibition review – the secret life of things | Rachel Whiteread | The Guardian
Researching Rachel Whiteread - Visual Arts
Rachel Whiteread
Guggenheim Museum - Singular Forms
Sculpture cast of the negative space around a chair by Rachel Whiteread | Rachel whiteread, Ceramic art sculpture, Geometric sculpture
21 December 2010 post: Rachel Whiteread, Selected Sculptures & Interview | fARTiculate
g-lab - Rendering the invisible: Rachel Witheread's 'One Hundred Spaces' is formed by 100 polyester resin cubes cast from the voids under 100 different chairs. Witheread created tangible objects from unseen spaces,
Untitled (Nine Tables)', Rachel Whiteread, 1998 | Tate
Rachel Whiteread
Turner Prize winner Rachel Whiteread: 'My sheds are poetry, not pointless Plop Art'
Rachel Whiteread exhibition review – the secret life of things | Rachel Whiteread | The Guardian
Rachel Whiteread, Davies Street, London, September 7–October 2, 2010 | Gagosian
.jpg?mode=max "RACHEL WHITEREAD (B. 1963)")
RACHEL WHITEREAD (B. 1963)
Rachael Whiteread @tate casts of undersides of chairs, 1995. Repost from earlyworkstudio | Contemporary artwork, Art chair, Geometric sculpture
A strong show - but is it time Rachel Whiteread cast her net more widely? Tate Britain, review
